For the much anticipated Goodie Mob reunion show, which after a few weeks’ snow delay hit the 9:30 Club in DC last night, there was much to be desired. The four-man hip-hop entity of Big Gipp, T-Mo, Khujo and Cee-Lo that helped establish Southern Rap once brought to stage and even more impressive live show than their family partners, Outkast. Their more socially conscious messages backed by a live band made their show supersede that of The Roots and The Fugees, whom they once toured with. Source magazine even lauded them as the best live act in Rap in their heyday.
One has to consider the immense success that central figure, Cee-Lo Green has received since Goodie’s disbanding in 2000. From moderate success as a solo artist to international acclaim as part of Gnarls Barkley, he’s expanded his audience beyond the realm of what Goodie Mob as a unit achieved.
However, this was not a Cee-Lo show, no matter how much they tried to appease that potential crowd yearning itch. While Goodie’s gold-selling Soul Food and Still Standing endear fans to them to a sell-out tune, they seemed to be less confident in their group success and ever reaching to find hits to fill out the 75 minute-set. Pulling from Green’s two solo albums, guest appearances each member had elsewhere (heavily leaning on Cee-Lo and Gipp's) and even a flipped version of Gnarls’ international smash, “Crazy.” This audience barely responded to the tune, evidencing that while we love Cee-Lo, we did take “reunion” to mean we’d be hearing Goodie only. With the absence of thought provoking classics like “I Didn’t Ask To Come,” “Fighting,” and “The Experience,” supported by female DJ ("Cut") instead of a live band, it felt when it was all over but the shouting, the group was a mere shadow of their former legendary selves. Though "Watch For the Hook" was a major highlight, even some of their hits were lost in the overcompensating use of samples instead of the original music and Dungeon Family musicians who used to kill it behind them. This was a far cry from the “Free” intro we used to see where the band would fully flesh out Cee-Lo’s song that light the match on their debut album.
Seeing all four original members was refreshing and maybe even reassuring that they may one day record again. But the show left this fan with nothing but yearning-one, for the band show to return and two, for Cee-Lo Green to put together a show of his own where he could truly showcase his incredible body of work over the last sixteen years. Add to it the incredible live band set by opening act B.o.B., an obvious student of the Dungeon Family sound, and the “Good might honestly have Died Over some Bullshit.”
Monday, March 15, 2010
Thursday, March 11, 2010
Significant Singles of Timbaland
Timothy Mosely is one of the most influential producers and innovators of the 20th and 21st century. Hailing from the Tidewater area of Virginia with fellow game changers Missy Elliott, Pharrell Williams and Chad Hugo, Timbaland has created a body of work to be studied by producers and sonic examiners for decades to come. Groomed in Devante Swing’s Bassment Crew (w/Missy, Ginuwine, Static (from Playa), Tim learned a little from one of R&B's hottest producers at the time, but his innovations are his own.
Timbaland's use of the Ensoniq ASR-10, a relic by many's standards, was the most innovative production at that time. His sample choices were obscure (crickets, frogs, dogs, babies), but infectious. Shameless elders doing anything to stay hip now were arranging their vocals in Missy's rap-like cadence and tripling their high hats and double-timing their beats to sound like Tim.
The Elton John to Missy’s Bernie Taupin, Tim’s compositions (yes, chords and arrangements) and productions (not just beat making and sampling) are the foundation for Hip-Hop and R&B’s marriage ushering in the next millennium. These are the significant singles of Timbaland.
(Before we even get started, Missy’s first four albums alone is the introductory study of Timbaland’s production genius.)
1. Can U Get Wit It-Usher
Yes, though Devante got the full credit and Tim just musicianship-listen again and you’ll hear it. Beat boxing and all-especially the long version.
2. One in a Million-Aaliyah
One of the most pivotal recordings for the next 10 years. Changed song phrasing and syncopation as well as drumming and drum programming patterns. Before One in a Million had its full run on the charts, Timbaland's production style had been copied by producers up-and-coming and established hitmakers alike.
3. Pony-Ginuwine
Displayed the quirky, risky, and funky sensibilities Tim’s work display.
(weapon of choice: Bud frog)
4. Can We-SWV
Their last #1. Tim and Missy's 3rd.
(weapon of choice: dog bark)
5. If Your Girl Only Knew (Remix)-Aaliyah
Not that the original didn’t bust the doors wide open, it’s just that this remix showed that Tim had more beats than people to give ‘em to and bored easily of tracks looping so the flip at the end of this one shoes ADHD or genius or both.
6. Are You That Somebody-Aaliyah
Fellow trackmasters challenged Tim to make a track knock w/o using high-hats which he was so now famous for. The challenged delivered Aaliyah her first crossover smash and Grammy nom. (weapon of choice: baby talk)
7. Hit ‘em Wit Da Hee (Remix)-Missy and Lil’ Kim
Another example of beat flipping and the ending is damn nasty.
8. Sexual Needs-Adina Howard [unreleased]
Eastwest/Sylvia Rhone politics kept this completed album and killer single from Adina Howard from ever seeing light of day. It was something of a part two to "One In a Million," using a backward 808 for special effect.
9. Up Jumps Da Boogie/Luv 2 Luv Ya-Tim, Magoo, Missy and Shawnta
For no other reason than to see the original Bassment crew together in the videos, both these tracks have to be listed. It seemed their takeover announcement.
10. Get Ur Freak On/What’cha Gonna Do-Missy
Both listed because Miss E…So Addictive contains perhaps the best encapsulation of Tim’s production on one disc-even getting into “afrobeat” c/o Fela on “What Cha Gonna Do.”
11. Work it-Missy
Last of her significant Timbo hits, but 4 fo 4 on the dynamic duo delivering full albums of production genius.
12. Big Pimpin’-Jay-Z and UGK/It’s Hot/Come and Get Me-Jay-Z
The first is listed simply because of what it did for Jay’s career. Otherwise, it’s a sample and minimal in Tim’s actual “work.” But it resides on an album where his other two tracks are in that ADHD beat zone. “Come And Get Me” is actually two different songs. It’s also proof that Tim’s a funkmaster.
13. Dirt Off Your Shoulder-Jay-Z
Reference Fade to Black or youtube Tim’s offering of two other killers before this one for Jay. The anthem and mantra they created couldn’t be better displayed than the soon-to-be-president’s perfect timing and usage during his campaign.
14. I’ll Be Around-Cee-Lo
Almost go-go, “Sweet Sugar-Lo and Timbo” combined well and made about the closest thing you’ll ever see to Cee-Lo going commercial on ya. Hot jam that hit number one for good reason.
15. Ugly-Bubba Sparxxx
Tim tried the ‘label owner’ thing for a minute and out of it we got Bubba and Petey Pablo.
16. Call Me-Tweet
Musically full for such a short track. While "Oops" was a bigger hit, I feel Missy and Tweet get that credit for the lyrics more than the beat.
17. Cry Me A River-Justin Timberlake
Though Storch argues who came up with it, I believe Tim’s revisit of it on "What Comes Around Goes Around" lays claim enough. And though Justin’s work the Neptunes outnumber his Tim tracks on Justified, their synergy survives most successfully laying foundation for the follow-up to far surpass the debut’s success by a mile.
18. Who is She To You-Brandy
One of the best tracks he’s ever done.
19. Promiscuous-Nelly Furtado
Made him a pop star, finally.
20. Give it To Me-Justin, Nelly Timbo
Cemented him as a pop star.
21. Headsprung-LL Cool J
LL needed this sooooo bad.
22. Put You Up on the Game-The Game
One of very few west coast tracks Tim got to do. Glad Dre approved:)
23. Let Me Talk To Her/My Love/Losing My Way-Justin Timerlake
Just when you thought you'd heard every sound and beat in his vault, "My Love" dropped and was the freshest thing on the radio. Finally won Timbo a Grammy, though he was snubbed on Producer of the Year.
24. Miles Away-Madonna
Best song on Hard Candy. I feel like the others had to be done for this one to be perfect.
25. Carry Out w/Justin-Timbo
Prelude to Just’s next joint. Can’t wait.
Timbaland's use of the Ensoniq ASR-10, a relic by many's standards, was the most innovative production at that time. His sample choices were obscure (crickets, frogs, dogs, babies), but infectious. Shameless elders doing anything to stay hip now were arranging their vocals in Missy's rap-like cadence and tripling their high hats and double-timing their beats to sound like Tim.
The Elton John to Missy’s Bernie Taupin, Tim’s compositions (yes, chords and arrangements) and productions (not just beat making and sampling) are the foundation for Hip-Hop and R&B’s marriage ushering in the next millennium. These are the significant singles of Timbaland.
(Before we even get started, Missy’s first four albums alone is the introductory study of Timbaland’s production genius.)
1. Can U Get Wit It-Usher
Yes, though Devante got the full credit and Tim just musicianship-listen again and you’ll hear it. Beat boxing and all-especially the long version.
2. One in a Million-Aaliyah
One of the most pivotal recordings for the next 10 years. Changed song phrasing and syncopation as well as drumming and drum programming patterns. Before One in a Million had its full run on the charts, Timbaland's production style had been copied by producers up-and-coming and established hitmakers alike.
3. Pony-Ginuwine
Displayed the quirky, risky, and funky sensibilities Tim’s work display.
(weapon of choice: Bud frog)
4. Can We-SWV
Their last #1. Tim and Missy's 3rd.
(weapon of choice: dog bark)
5. If Your Girl Only Knew (Remix)-Aaliyah
Not that the original didn’t bust the doors wide open, it’s just that this remix showed that Tim had more beats than people to give ‘em to and bored easily of tracks looping so the flip at the end of this one shoes ADHD or genius or both.
6. Are You That Somebody-Aaliyah
Fellow trackmasters challenged Tim to make a track knock w/o using high-hats which he was so now famous for. The challenged delivered Aaliyah her first crossover smash and Grammy nom. (weapon of choice: baby talk)
7. Hit ‘em Wit Da Hee (Remix)-Missy and Lil’ Kim
Another example of beat flipping and the ending is damn nasty.
8. Sexual Needs-Adina Howard [unreleased]
Eastwest/Sylvia Rhone politics kept this completed album and killer single from Adina Howard from ever seeing light of day. It was something of a part two to "One In a Million," using a backward 808 for special effect.
9. Up Jumps Da Boogie/Luv 2 Luv Ya-Tim, Magoo, Missy and Shawnta
For no other reason than to see the original Bassment crew together in the videos, both these tracks have to be listed. It seemed their takeover announcement.
10. Get Ur Freak On/What’cha Gonna Do-Missy
Both listed because Miss E…So Addictive contains perhaps the best encapsulation of Tim’s production on one disc-even getting into “afrobeat” c/o Fela on “What Cha Gonna Do.”
11. Work it-Missy
Last of her significant Timbo hits, but 4 fo 4 on the dynamic duo delivering full albums of production genius.
12. Big Pimpin’-Jay-Z and UGK/It’s Hot/Come and Get Me-Jay-Z
The first is listed simply because of what it did for Jay’s career. Otherwise, it’s a sample and minimal in Tim’s actual “work.” But it resides on an album where his other two tracks are in that ADHD beat zone. “Come And Get Me” is actually two different songs. It’s also proof that Tim’s a funkmaster.
13. Dirt Off Your Shoulder-Jay-Z
Reference Fade to Black or youtube Tim’s offering of two other killers before this one for Jay. The anthem and mantra they created couldn’t be better displayed than the soon-to-be-president’s perfect timing and usage during his campaign.
14. I’ll Be Around-Cee-Lo
Almost go-go, “Sweet Sugar-Lo and Timbo” combined well and made about the closest thing you’ll ever see to Cee-Lo going commercial on ya. Hot jam that hit number one for good reason.
15. Ugly-Bubba Sparxxx
Tim tried the ‘label owner’ thing for a minute and out of it we got Bubba and Petey Pablo.
16. Call Me-Tweet
Musically full for such a short track. While "Oops" was a bigger hit, I feel Missy and Tweet get that credit for the lyrics more than the beat.
17. Cry Me A River-Justin Timberlake
Though Storch argues who came up with it, I believe Tim’s revisit of it on "What Comes Around Goes Around" lays claim enough. And though Justin’s work the Neptunes outnumber his Tim tracks on Justified, their synergy survives most successfully laying foundation for the follow-up to far surpass the debut’s success by a mile.
18. Who is She To You-Brandy
One of the best tracks he’s ever done.
19. Promiscuous-Nelly Furtado
Made him a pop star, finally.
20. Give it To Me-Justin, Nelly Timbo
Cemented him as a pop star.
21. Headsprung-LL Cool J
LL needed this sooooo bad.
22. Put You Up on the Game-The Game
One of very few west coast tracks Tim got to do. Glad Dre approved:)
23. Let Me Talk To Her/My Love/Losing My Way-Justin Timerlake
Just when you thought you'd heard every sound and beat in his vault, "My Love" dropped and was the freshest thing on the radio. Finally won Timbo a Grammy, though he was snubbed on Producer of the Year.
24. Miles Away-Madonna
Best song on Hard Candy. I feel like the others had to be done for this one to be perfect.
25. Carry Out w/Justin-Timbo
Prelude to Just’s next joint. Can’t wait.
Tuesday, March 2, 2010
Aughts pt.10-2009
This will actually be the simplest, shortest list, because overall, 2009 SUCKED musically. But that's indicative of the year King MJ died.
1. Real As It Gets Feat. Young Jeezy-Jay-Z
Finally made me “get” what cats love about Jeezy. It’s my favorite song of the year times two. Spun twice as many times as #2 on the list, which just happens to be…
2. Empire State Of Mind Feat. Alicia Keys-Jay-Z
From September though the rest of the year, it was “Song of the Year” in America. Be honest.
3. Thank You-Jay-Z
I love when Hov’s sense of humor is all over a track. He makes all other emcees look like the children most are compared to him.
4. Bad Habits-Maxwell
Didn’t know he still had it in him when “Pretty Wings” sat on the net for two years before Black Summer’s Night finally came. If nothing else on the album gave you that Urban Hang Suite scratch you needed, this one did. The horns riffing at the end is just too much (in a good way).
5. Devil's Halo/Tie One On-Me'Shell Ndegéocello
The bedroom/basement queen returns doing what she does best-Make me horny.
6. We Fight, We Love (Remix feat. Kanye West & Consequence)-Q-Tip
This remix would’ve been a classic no matter when it dropped, but considering Michael’s death, “Heartbreak Hotel’s” usage here was the most serendipitous musical moment of last year for me. Didn’t know whether to dance or cry.
7. Make Her Say-Kid Cudi feat Kanye West & Common
Back on my Ye’ box. For him to take the acoustic version of GaGa’s “Poker Face” and flip it to this; and for her to give her blessing, is true artistic homogeny. If only the world were so agreeable. Ha.
8. I Can Make It Better-Freddie Washington
Rarely do I have smooth jazz moments, but I’ve waited on a solo record from this dude for years and this song was just “pretty.”
9. Pretty Girls/My Sweetie-Wale
Best of the two worlds I wanted to see Wale expose the world to-Go-Go and Afrobeat. "Pretty Girls" is a local fave already, but to take Backyard Band's Weensy and UCB on stages like MTV, BET and VH1 was bolder than many locals give him credit for. "My Sweetie" is awesome and only Nigerian parties can explain to you. Gotta be there-kinda like go-go. “Money on the floor, splash it, splash it.”
10. Woe-Chinahblac
Got a bunch of new music to review and just let the pod shuffle. When this came on, I remember stopping my walk. A bit of Tweet, a taste of Anastascia, the voice got me. Live music behind her kept me. Nice.
11. Un-Thinkable (I'm Ready) (featuring Drake)-Alicia Keys
Singles be damned, this is the best record she’s made in years. (why must everybody use Drake to sell tracks though?)
12. Pregnant (Featuring Tyrese, Robin Thicke And The-Dream)-R. Kelly
Don’t judge me. It’s dope. And yes, it’s funny as hell.
13. On the Ocean-K'Jon
Songs like this just STAND OUT on the radio today. And that’s when you know how bad radio sucks. Too few “songs” being composed.
14. Blame It-Jamie Foxx & T-Pain
No words needed.
15. Sobeautiful-Musiq
Didn't know he had it in him to make me question Maxwell. How dope this one was only further validates how good "Bad Habits" had to be to one-up it.
1. Real As It Gets Feat. Young Jeezy-Jay-Z
Finally made me “get” what cats love about Jeezy. It’s my favorite song of the year times two. Spun twice as many times as #2 on the list, which just happens to be…
2. Empire State Of Mind Feat. Alicia Keys-Jay-Z
From September though the rest of the year, it was “Song of the Year” in America. Be honest.
3. Thank You-Jay-Z
I love when Hov’s sense of humor is all over a track. He makes all other emcees look like the children most are compared to him.
4. Bad Habits-Maxwell
Didn’t know he still had it in him when “Pretty Wings” sat on the net for two years before Black Summer’s Night finally came. If nothing else on the album gave you that Urban Hang Suite scratch you needed, this one did. The horns riffing at the end is just too much (in a good way).
5. Devil's Halo/Tie One On-Me'Shell Ndegéocello
The bedroom/basement queen returns doing what she does best-Make me horny.
6. We Fight, We Love (Remix feat. Kanye West & Consequence)-Q-Tip
This remix would’ve been a classic no matter when it dropped, but considering Michael’s death, “Heartbreak Hotel’s” usage here was the most serendipitous musical moment of last year for me. Didn’t know whether to dance or cry.
7. Make Her Say-Kid Cudi feat Kanye West & Common
Back on my Ye’ box. For him to take the acoustic version of GaGa’s “Poker Face” and flip it to this; and for her to give her blessing, is true artistic homogeny. If only the world were so agreeable. Ha.
8. I Can Make It Better-Freddie Washington
Rarely do I have smooth jazz moments, but I’ve waited on a solo record from this dude for years and this song was just “pretty.”
9. Pretty Girls/My Sweetie-Wale
Best of the two worlds I wanted to see Wale expose the world to-Go-Go and Afrobeat. "Pretty Girls" is a local fave already, but to take Backyard Band's Weensy and UCB on stages like MTV, BET and VH1 was bolder than many locals give him credit for. "My Sweetie" is awesome and only Nigerian parties can explain to you. Gotta be there-kinda like go-go. “Money on the floor, splash it, splash it.”
10. Woe-Chinahblac
Got a bunch of new music to review and just let the pod shuffle. When this came on, I remember stopping my walk. A bit of Tweet, a taste of Anastascia, the voice got me. Live music behind her kept me. Nice.
11. Un-Thinkable (I'm Ready) (featuring Drake)-Alicia Keys
Singles be damned, this is the best record she’s made in years. (why must everybody use Drake to sell tracks though?)
12. Pregnant (Featuring Tyrese, Robin Thicke And The-Dream)-R. Kelly
Don’t judge me. It’s dope. And yes, it’s funny as hell.
13. On the Ocean-K'Jon
Songs like this just STAND OUT on the radio today. And that’s when you know how bad radio sucks. Too few “songs” being composed.
14. Blame It-Jamie Foxx & T-Pain
No words needed.
15. Sobeautiful-Musiq
Didn't know he had it in him to make me question Maxwell. How dope this one was only further validates how good "Bad Habits" had to be to one-up it.
Monday, March 1, 2010
Aughts pt.9-2008
1. Soldier-Erykah Badu
Basic back beat and Erica Wright's keen sense of talking to tha people.
"To my girls in therapy, see, Imma tell ya this for free. To my folks on the picket lines, don't stop 'til ya change their minds. Got love for my folks, baptized when the levees broke. They be trying to hide the history, but they know who we are."
2. Announcement-Common
Com & Pharrell's ode to Biggie got missed by too many of y'all. Cranks at any club or party.
3. Heartless-Kanye West
One of the less experimental, but focused compositions of 808s & Heartbreak, it flows well after "Liquid Swords" by Gza.
4. Stay With Me (By the Sea)-Al Green & John Legend
This was actually #1 for 2008, but since pushed down a bit behind Soussi dj-ing. I felt the Re'um Al didn't write enough for the Lay it Down. He came in and kinda "freestyled" or ad-libbed most of his lyrics. Considering the pains Quest, Spanky & Poyser went through to re-create the authentic Green/Mitchell sound of the 70s, he could've given us at least one fully fleshed out "song" like "Let's Stay Together" or "What a Wonderful Thing." Here he's saved by Corinne Bailey's lyrics and John Legend finally using a different tone. Glad this one won him his first R&B Grammy. Well deserved.
5. Take Off the Blues /Something to Behold-The Foreign Exchange
What a statement was Leave it All Behind when a rapper has to construct a better R&B album than any singer in the past 3 years. Phonte's vocals and layering shoulda woke up that hibernating PK from Richmond.
6. Green Light (featuring Andre 3000)-John Legend
A sign of change for Legend, this dance oddity broadened his palette and brought in naysayers (myself included) for the killer album Evolver was.
7. Johnny Is Dead-Q-Tip
So many years of waiting for Kamal the Abstract to be released, we forgot how dope of an emcee Tip was. Best lead off track since Midnight Marauders.
8. The One Pt. II-Sol Edler
Ok, so my good friend Rick White asked my lil' brother to voice the first single of his Quincy-like Guilty Pleasures project. We had this and then an upgraded version with more background arrangements a cool year before the album was officially released. Get your step on to this brilliant production and lyrical twist on "close but not quite" relationships.
9. Discipline/Can't B Good-Janet Jackson
Janet delivered when most had counted her out. Ne-Yo did his damn thing delivering the customary Janet closing sexy gem and an R&B standard tailor made for her or her brother.
10. It's Over (feat. Kanye West)-John Legend
One more to establish Legend was expanding. With the Sugar Hill intro, it should've set off many a party.
11. One More Drink (Co-Starring T-Pain)-Ludacris
Classic Luda. Classic comedy. Most don't even get the end of the hook as the music is so good. "You too."
12. No Matter What-Heavy D
Yes, the bum-diddly-diddly-dee dropped a reggae album that made the Marleys regroup.
13. Paranoid (feat. Mr. Hudson)-Kanye West
80s groove buried in 808s & Heartbreak that even with a dope video didn't get the exposure it deserved.
14. Miles Away-Madonna
Leave it to the '58 sister to have the last music relevant in the Aughts. Her bros MJ & Prince were pretty dormant by this point and she didn't just languish in the Tim, Justin or Pharrell capable hands-she contributed herself fully making Hard Candy un-ignorable. This one ranked highest for me hands down.
15. That Was Then/1 Mile-Lalah Hathaway
Newly added to the reborn Stax roster, the Tone queen gave a few upgrades to her indie gem Outrun the Sky. These two were chambers not accessed on OTS and filled out what already seemed a full palette.
16. Can't Believe It (w/Justin Timberlake)-T-Pain
Don't know where you can find this version, but please do. Justin, of course adds a polish Lil' Wayne could not. Auto-tune don't make non-singers sing and it doesn't shake a real vocalist.
17. Fade Into The Background-Ne-Yo
I know "Closer" set off many a club, but this one stood out from the rest of the album for me. I was told it sounded like a ZWEi song. Hmmm...perhaps.
18. Nothing Left To Say-Mint Condition
Though their 2nd independent album paled in comparison to Livin' the Luxury Brown, this cut was desrvedly their biggest hit in nearly a decade.
19. Everyone Nose (Remix)-N.E.R.D. ft. Kanye West, Lupe Fiasco, Pusha T
Somebody please tell me what the original was. Hilarious twist on nose candy.
20. Magic-Robin Thicke
Dance classic that also had me questioning Maxwell's return. Flows well with Curtis' "Move on Up."
21. Everybody (feat. Kanye West & Andre 3000)-Fonzworth Bentley
The butler came with a jam. Blame it on Sa-Ra or Andre, but it was hot. So was the video.
22. A Little Better-Gnarls Barkley
Their follow-up got completely ignored, but it might've been more cohesive than their debut minus "Crazy."
23. We Fight/WeLove-Q-Tip feat Raphael Saadiq/Believe-Q-Tip feat D'Angelo
Tip was just in a zone the whole album. His guest stars added just what they were supposed to, but never outshined his emceeing. That's what made Renaissance the best rap album in '08 or '09.
24. Champagne Chronik Nightcap w/ Lil Wayne-Solange
A bonus cut not even included on her album, it further validated baby sis' "artistic" efforts superseded her older sister's.
25. Rising Up Feat. Wale & Chrisette Michele-The Roots
Go-go finally back on the main stage STILL got ignored. Props to the Roots for even giving it a shot.
26. The Man Who Can't Be Moved-The Script
She knows. What a rare find. It never gets one spin. A brilliant lyric from a group I'm near-clueless about.
27. Prayin' For You/Superman-Anthony Hamilton
This might be a bit too country for most, but it was proof AHam was bold, black and bayou enough to go against the grain and render all else pedestrian in the "soul" game.
Basic back beat and Erica Wright's keen sense of talking to tha people.
"To my girls in therapy, see, Imma tell ya this for free. To my folks on the picket lines, don't stop 'til ya change their minds. Got love for my folks, baptized when the levees broke. They be trying to hide the history, but they know who we are."
2. Announcement-Common
Com & Pharrell's ode to Biggie got missed by too many of y'all. Cranks at any club or party.
3. Heartless-Kanye West
One of the less experimental, but focused compositions of 808s & Heartbreak, it flows well after "Liquid Swords" by Gza.
4. Stay With Me (By the Sea)-Al Green & John Legend
This was actually #1 for 2008, but since pushed down a bit behind Soussi dj-ing. I felt the Re'um Al didn't write enough for the Lay it Down. He came in and kinda "freestyled" or ad-libbed most of his lyrics. Considering the pains Quest, Spanky & Poyser went through to re-create the authentic Green/Mitchell sound of the 70s, he could've given us at least one fully fleshed out "song" like "Let's Stay Together" or "What a Wonderful Thing." Here he's saved by Corinne Bailey's lyrics and John Legend finally using a different tone. Glad this one won him his first R&B Grammy. Well deserved.
5. Take Off the Blues /Something to Behold-The Foreign Exchange
What a statement was Leave it All Behind when a rapper has to construct a better R&B album than any singer in the past 3 years. Phonte's vocals and layering shoulda woke up that hibernating PK from Richmond.
6. Green Light (featuring Andre 3000)-John Legend
A sign of change for Legend, this dance oddity broadened his palette and brought in naysayers (myself included) for the killer album Evolver was.
7. Johnny Is Dead-Q-Tip
So many years of waiting for Kamal the Abstract to be released, we forgot how dope of an emcee Tip was. Best lead off track since Midnight Marauders.
8. The One Pt. II-Sol Edler
Ok, so my good friend Rick White asked my lil' brother to voice the first single of his Quincy-like Guilty Pleasures project. We had this and then an upgraded version with more background arrangements a cool year before the album was officially released. Get your step on to this brilliant production and lyrical twist on "close but not quite" relationships.
9. Discipline/Can't B Good-Janet Jackson
Janet delivered when most had counted her out. Ne-Yo did his damn thing delivering the customary Janet closing sexy gem and an R&B standard tailor made for her or her brother.
10. It's Over (feat. Kanye West)-John Legend
One more to establish Legend was expanding. With the Sugar Hill intro, it should've set off many a party.
11. One More Drink (Co-Starring T-Pain)-Ludacris
Classic Luda. Classic comedy. Most don't even get the end of the hook as the music is so good. "You too."
12. No Matter What-Heavy D
Yes, the bum-diddly-diddly-dee dropped a reggae album that made the Marleys regroup.
13. Paranoid (feat. Mr. Hudson)-Kanye West
80s groove buried in 808s & Heartbreak that even with a dope video didn't get the exposure it deserved.
14. Miles Away-Madonna
Leave it to the '58 sister to have the last music relevant in the Aughts. Her bros MJ & Prince were pretty dormant by this point and she didn't just languish in the Tim, Justin or Pharrell capable hands-she contributed herself fully making Hard Candy un-ignorable. This one ranked highest for me hands down.
15. That Was Then/1 Mile-Lalah Hathaway
Newly added to the reborn Stax roster, the Tone queen gave a few upgrades to her indie gem Outrun the Sky. These two were chambers not accessed on OTS and filled out what already seemed a full palette.
16. Can't Believe It (w/Justin Timberlake)-T-Pain
Don't know where you can find this version, but please do. Justin, of course adds a polish Lil' Wayne could not. Auto-tune don't make non-singers sing and it doesn't shake a real vocalist.
17. Fade Into The Background-Ne-Yo
I know "Closer" set off many a club, but this one stood out from the rest of the album for me. I was told it sounded like a ZWEi song. Hmmm...perhaps.
18. Nothing Left To Say-Mint Condition
Though their 2nd independent album paled in comparison to Livin' the Luxury Brown, this cut was desrvedly their biggest hit in nearly a decade.
19. Everyone Nose (Remix)-N.E.R.D. ft. Kanye West, Lupe Fiasco, Pusha T
Somebody please tell me what the original was. Hilarious twist on nose candy.
20. Magic-Robin Thicke
Dance classic that also had me questioning Maxwell's return. Flows well with Curtis' "Move on Up."
21. Everybody (feat. Kanye West & Andre 3000)-Fonzworth Bentley
The butler came with a jam. Blame it on Sa-Ra or Andre, but it was hot. So was the video.
22. A Little Better-Gnarls Barkley
Their follow-up got completely ignored, but it might've been more cohesive than their debut minus "Crazy."
23. We Fight/WeLove-Q-Tip feat Raphael Saadiq/Believe-Q-Tip feat D'Angelo
Tip was just in a zone the whole album. His guest stars added just what they were supposed to, but never outshined his emceeing. That's what made Renaissance the best rap album in '08 or '09.
24. Champagne Chronik Nightcap w/ Lil Wayne-Solange
A bonus cut not even included on her album, it further validated baby sis' "artistic" efforts superseded her older sister's.
25. Rising Up Feat. Wale & Chrisette Michele-The Roots
Go-go finally back on the main stage STILL got ignored. Props to the Roots for even giving it a shot.
26. The Man Who Can't Be Moved-The Script
She knows. What a rare find. It never gets one spin. A brilliant lyric from a group I'm near-clueless about.
27. Prayin' For You/Superman-Anthony Hamilton
This might be a bit too country for most, but it was proof AHam was bold, black and bayou enough to go against the grain and render all else pedestrian in the "soul" game.
Aughts pt.8-2007
First is just what the pod said was played most in order.
1. I Know-Jay-Z
2. Good Life (Ft. T-Pain)-Kanye West
3. Flashing Lights (Ft. Dwele)-Kanye West
4. Hostile Gospel Pt. 1-Talib Kweli
5. Roc Boys (And The Winner Is.....)-Jay-Z
6. Work That-Mary J. Blige
7. Say Hello-Jay-Z
8. Stop Breaking My Heart-Rahsaan Patterson
9. The People-Common
10. I Want You (Feat. Will.I.Am)-Common
11. Southside (Feat. Kanye West)-Common
12. Fallin'-Jay-Z
13. Good Morning (Intro)-Kanye West
14. Arms Of My Baby-Joss Stone
15. Champion-Kanye West
16. Break My Heart-Common
17. Party Life-Jay-Z
18. Ignorant Shit-Jay-Z
19. Just Fine-Mary J. Blige
20. Can't Tell Me Nothing-Kanye West
Break down of my faves & ’07 slept ons. Honestly Jig’s AG, Ye’s Graduation, Mary’s Growing Pains, Com’s Finding Forever, and Joss’ album dominated the pod, car, bar, etc, for the whole year, but here are a few highlights & others.
1. Lesson Learned (featuring John Mayer)-Alicia Keys
Sorry Barnes, yes I do find a way to work Mayer into every list, or he finds some way of being present every year. I, for the record, HATED “No One” and think “Like You’ll Never See Me Again” is yet another rip off (“Purple Rain”) so this is the one tolerable record from the album and I think he’s in pocket. It’s not a duet. Little guitar and backups, but it’s a great arrangement.
2. Just Friends-Amy Winehouse
Yes, Back in Black was a good album, but America made Winehouse more spectacle than singer. Regardless of her antics, the music was great behind her lyrics, the Dap Kings and Salaam Remi-the reggae/hip hop architect behind the Fugees and everybody who ever wanted to sound like Lauryn. This one right here was proof that Mark Ronson was not the driving force behind Back to Black. Remi hands in an authentic roots reggae track for Ms. Brixton to bless.
3. Can't Get Over (Feat. Dave Hollister)-Carl Thomas
The circle is complete. Mike City’s vocalists of his first two major hits come together on this slept on/swept under the mat track. As this is from Carl’s indie album on Mike’s imprint, it never saw light of day on radio. It deserved better. Rarely do you get two voices like this on one track giving it up.
4. One For All Time-Chaka Khan
Thank God for Jimmy Jam, Terry Lewis & “Big Jim” Wright taking care of mama Chaka on her best album since C.K. “Angel” was a close second, but the hook on this kept me just a little bit longer.
5. Love Theme from "The Godfather"-Chuck Brown
The first full-length album from “The Godfather” since We the People in 1977. Yes, DC’s go-go leader has made his name and legend from 12” singles, not albums. So this was a historical recording, if you will. How appropriate of him to flip the Coppola theme he bears the name of.
6. Tomorrow's Another Day-Collie Buddz
One of the best reggae album’s I ever heard. Chants and sings his ass off and ALL the tracks bang, but this one was my fave.
7. Finding Forever (album)/Southside (Feat. Kanye West)/The People/I Want You (Feat. Will.I.Am)-Common
The album wasn’t necessarily BETTER than Be, but the upgrades in sonic alchemy Kanye had been studying were evident with tracks like “Southside.” Will.i.am puts his big black pinky in on it with “I Want You” though. Flipping three different beats, creating three different moods, his arrangement skills supersede “hip hop” production.
8. Pretty Little Sexy Mama/The Good, The Bad, The Ugly (feat. Kanye West)-Consequence
Long time no hear. Dexter “Cons to da Quence” Mills debuted on the Dilla directed Beats, Rhymes & Life album by Tribe Called Quest but languished for years in obscurity ‘til he showed up on Kanye’s College Dropout. Giving us a clue as to who Ye’ sparred with on his way to the top, Cons’ style is very similar. After killing “Late” and “Spaceship” he finally gets his own album to shine. “Good, Bad & Ugly” showcases Cons & Kan-man at their hungriest as it was recorded before Dropout even came out. Peep the sample on “Pretty Little Sexy Mama” indie music lovers, and you’ll probably get why I played it so much.
9. What A Job (Feat. Snoop Dogg & Andre 3000)-Devin The Dude
True love for what we do our here whether we get paid or not. Not too often are you gonna hear Devin talking about sum’n other that blunts and broads, so digest this fully. Snoop and Andre handle theirs on it. This is one of the ones keeping Andre lovers swinging despite no full length effort from Outkast or him solo.
10. American Gangster (album)-I Know-Jay-Z
2nd best album he ever made. Recorded in a friggin’ month!
11. Crown Royal-Jill Scott
As simple and sexy as "Honey Molasses," but this time she was talking shit DIRECTLY. Gotta love her for finally being sassy/sexy unabashedly.
12. Arms Of My Baby-Joss Stone
Raphael Saadiq is a friggin' master. It's one thing to manifest one's own compositions into productions. It's another to gel 6-10 different writers into a cohesive package while keeping the retro-right now funk going. Joss is an awesome vocalist and it took me a minute to accept that she wasn't just being someone else or trying to emanate soul singers. She IS.
13. Throw Some D's (Remix)-Kanye West
Nip/Tuck’s latest sales rep. If they weren’t drinking the Ye’ Kool-Aid yet, many came on right here. Flipping Rich Boy’s track to a comedic, but killer flow, Ye’s maniacal work ethic makes for many a highlight outside his albums.
“She ain’t pregnant, but about to have twins.” “Why you spend your money on that shallow shit? Won’t you buy some bigger tits, something that’ll last you?”
14. Graduation (album)/Good Life (Ft. T-Pain)-Kanye West
Certain albums beg for headphones. Not the Ipod buds , but real Bose, Koss, or Monster “over the head” phones. The fidelity & most efficient use of the highs and bottom on tracks comes through on this album. You can study “Good Life,” "Stronger" and "Flashing Lights" and still not get everything happening in the production. But one thing’s for certain, Kanye takes time and care with his craft. Give him that.
15. Like This f/ Eve-Kelly Rowland
As long as there is a Matthew Knowles, Kelly will make records you never hear. Eve should’ve released it featuring Kelly. That would’ve changed the response to the track-which was hot as hell.
16. Let it Go-Keyshia Cole featuring Lil’ Kim & Missy
How can you STILL win with the “Juicy Fruit” beat? Kim and Missy sold it for me.
17. You Just Don't Want to Know-Marvin Winans
For the record this is NOT a Gospel song, no matter how much they try to flip it into one for his Tyler Perry appearances. Marvin had a Bebe-like secular moment. Divorce will do that to a minister. However, the song is as awesome as it is awesome.
18. Work That-Mary J. Blige
A motivational jam from the Queen? It got me so amped up. Though I feel most of it’s for young or hustlin’ sisters, I totally felt the universal lines of the tune. Favorite tune from 2nd favorite album on MJB.
19. Last Night (Remix)-Diddy feat. Keyshia Cole, Lil' Kim, Yung Joc, The Game, Busta Rhymes, Big Boi & Rich Boy
Will.i.am strikes again. With the Prince samples and essence in full effect, everybody represents on this track. Not one wack verse, bridge or vamp. Extended remix will keep a party going all night.
20. Gilla House Check-Redman
Years off, Reggie finally made it back for one last album. This one and the “My 1st Song” mixtape track got the most spins and represented my old Reggie better than the Timbo and Pete Rock singles they pushed on us.
21. Hostile Gospel Pt. 1-Talib Kweli
Very close 2nd to “Get By” for Kweli’s best song. Blaze’s reused “Kingdom Come” beat notwithstanding, the kids choir and the overall theme might inspire riots and marches.
22. Calm The Fuck Down-T-Pain
Don’t know if it’ll ever get officially released, but this bonus cut from Pain’s original album kills me. Maybe it’s the (disgruntled) domestic side of me. Hilarious track if you can find it.
23. International Playas Anthem (w/Outkast)-UGK
For the record, Bun B’s verse is my favorite. Get off Dre’s…
24. Don't Let Me Leave Alone (Nicolay's Hardhouse Remix)-Windimoto
Shout out to Jamil for this one. Don’t know anything other than this is somehow rooted in Detroit. Track bangs for the dancefloor, but make sure you get the right version.
1. I Know-Jay-Z
2. Good Life (Ft. T-Pain)-Kanye West
3. Flashing Lights (Ft. Dwele)-Kanye West
4. Hostile Gospel Pt. 1-Talib Kweli
5. Roc Boys (And The Winner Is.....)-Jay-Z
6. Work That-Mary J. Blige
7. Say Hello-Jay-Z
8. Stop Breaking My Heart-Rahsaan Patterson
9. The People-Common
10. I Want You (Feat. Will.I.Am)-Common
11. Southside (Feat. Kanye West)-Common
12. Fallin'-Jay-Z
13. Good Morning (Intro)-Kanye West
14. Arms Of My Baby-Joss Stone
15. Champion-Kanye West
16. Break My Heart-Common
17. Party Life-Jay-Z
18. Ignorant Shit-Jay-Z
19. Just Fine-Mary J. Blige
20. Can't Tell Me Nothing-Kanye West
Break down of my faves & ’07 slept ons. Honestly Jig’s AG, Ye’s Graduation, Mary’s Growing Pains, Com’s Finding Forever, and Joss’ album dominated the pod, car, bar, etc, for the whole year, but here are a few highlights & others.
1. Lesson Learned (featuring John Mayer)-Alicia Keys
Sorry Barnes, yes I do find a way to work Mayer into every list, or he finds some way of being present every year. I, for the record, HATED “No One” and think “Like You’ll Never See Me Again” is yet another rip off (“Purple Rain”) so this is the one tolerable record from the album and I think he’s in pocket. It’s not a duet. Little guitar and backups, but it’s a great arrangement.
2. Just Friends-Amy Winehouse
Yes, Back in Black was a good album, but America made Winehouse more spectacle than singer. Regardless of her antics, the music was great behind her lyrics, the Dap Kings and Salaam Remi-the reggae/hip hop architect behind the Fugees and everybody who ever wanted to sound like Lauryn. This one right here was proof that Mark Ronson was not the driving force behind Back to Black. Remi hands in an authentic roots reggae track for Ms. Brixton to bless.
3. Can't Get Over (Feat. Dave Hollister)-Carl Thomas
The circle is complete. Mike City’s vocalists of his first two major hits come together on this slept on/swept under the mat track. As this is from Carl’s indie album on Mike’s imprint, it never saw light of day on radio. It deserved better. Rarely do you get two voices like this on one track giving it up.
4. One For All Time-Chaka Khan
Thank God for Jimmy Jam, Terry Lewis & “Big Jim” Wright taking care of mama Chaka on her best album since C.K. “Angel” was a close second, but the hook on this kept me just a little bit longer.
5. Love Theme from "The Godfather"-Chuck Brown
The first full-length album from “The Godfather” since We the People in 1977. Yes, DC’s go-go leader has made his name and legend from 12” singles, not albums. So this was a historical recording, if you will. How appropriate of him to flip the Coppola theme he bears the name of.
6. Tomorrow's Another Day-Collie Buddz
One of the best reggae album’s I ever heard. Chants and sings his ass off and ALL the tracks bang, but this one was my fave.
7. Finding Forever (album)/Southside (Feat. Kanye West)/The People/I Want You (Feat. Will.I.Am)-Common
The album wasn’t necessarily BETTER than Be, but the upgrades in sonic alchemy Kanye had been studying were evident with tracks like “Southside.” Will.i.am puts his big black pinky in on it with “I Want You” though. Flipping three different beats, creating three different moods, his arrangement skills supersede “hip hop” production.
8. Pretty Little Sexy Mama/The Good, The Bad, The Ugly (feat. Kanye West)-Consequence
Long time no hear. Dexter “Cons to da Quence” Mills debuted on the Dilla directed Beats, Rhymes & Life album by Tribe Called Quest but languished for years in obscurity ‘til he showed up on Kanye’s College Dropout. Giving us a clue as to who Ye’ sparred with on his way to the top, Cons’ style is very similar. After killing “Late” and “Spaceship” he finally gets his own album to shine. “Good, Bad & Ugly” showcases Cons & Kan-man at their hungriest as it was recorded before Dropout even came out. Peep the sample on “Pretty Little Sexy Mama” indie music lovers, and you’ll probably get why I played it so much.
9. What A Job (Feat. Snoop Dogg & Andre 3000)-Devin The Dude
True love for what we do our here whether we get paid or not. Not too often are you gonna hear Devin talking about sum’n other that blunts and broads, so digest this fully. Snoop and Andre handle theirs on it. This is one of the ones keeping Andre lovers swinging despite no full length effort from Outkast or him solo.
10. American Gangster (album)-I Know-Jay-Z
2nd best album he ever made. Recorded in a friggin’ month!
11. Crown Royal-Jill Scott
As simple and sexy as "Honey Molasses," but this time she was talking shit DIRECTLY. Gotta love her for finally being sassy/sexy unabashedly.
12. Arms Of My Baby-Joss Stone
Raphael Saadiq is a friggin' master. It's one thing to manifest one's own compositions into productions. It's another to gel 6-10 different writers into a cohesive package while keeping the retro-right now funk going. Joss is an awesome vocalist and it took me a minute to accept that she wasn't just being someone else or trying to emanate soul singers. She IS.
13. Throw Some D's (Remix)-Kanye West
Nip/Tuck’s latest sales rep. If they weren’t drinking the Ye’ Kool-Aid yet, many came on right here. Flipping Rich Boy’s track to a comedic, but killer flow, Ye’s maniacal work ethic makes for many a highlight outside his albums.
“She ain’t pregnant, but about to have twins.” “Why you spend your money on that shallow shit? Won’t you buy some bigger tits, something that’ll last you?”
14. Graduation (album)/Good Life (Ft. T-Pain)-Kanye West
Certain albums beg for headphones. Not the Ipod buds , but real Bose, Koss, or Monster “over the head” phones. The fidelity & most efficient use of the highs and bottom on tracks comes through on this album. You can study “Good Life,” "Stronger" and "Flashing Lights" and still not get everything happening in the production. But one thing’s for certain, Kanye takes time and care with his craft. Give him that.
15. Like This f/ Eve-Kelly Rowland
As long as there is a Matthew Knowles, Kelly will make records you never hear. Eve should’ve released it featuring Kelly. That would’ve changed the response to the track-which was hot as hell.
16. Let it Go-Keyshia Cole featuring Lil’ Kim & Missy
How can you STILL win with the “Juicy Fruit” beat? Kim and Missy sold it for me.
17. You Just Don't Want to Know-Marvin Winans
For the record this is NOT a Gospel song, no matter how much they try to flip it into one for his Tyler Perry appearances. Marvin had a Bebe-like secular moment. Divorce will do that to a minister. However, the song is as awesome as it is awesome.
18. Work That-Mary J. Blige
A motivational jam from the Queen? It got me so amped up. Though I feel most of it’s for young or hustlin’ sisters, I totally felt the universal lines of the tune. Favorite tune from 2nd favorite album on MJB.
19. Last Night (Remix)-Diddy feat. Keyshia Cole, Lil' Kim, Yung Joc, The Game, Busta Rhymes, Big Boi & Rich Boy
Will.i.am strikes again. With the Prince samples and essence in full effect, everybody represents on this track. Not one wack verse, bridge or vamp. Extended remix will keep a party going all night.
20. Gilla House Check-Redman
Years off, Reggie finally made it back for one last album. This one and the “My 1st Song” mixtape track got the most spins and represented my old Reggie better than the Timbo and Pete Rock singles they pushed on us.
21. Hostile Gospel Pt. 1-Talib Kweli
Very close 2nd to “Get By” for Kweli’s best song. Blaze’s reused “Kingdom Come” beat notwithstanding, the kids choir and the overall theme might inspire riots and marches.
22. Calm The Fuck Down-T-Pain
Don’t know if it’ll ever get officially released, but this bonus cut from Pain’s original album kills me. Maybe it’s the (disgruntled) domestic side of me. Hilarious track if you can find it.
23. International Playas Anthem (w/Outkast)-UGK
For the record, Bun B’s verse is my favorite. Get off Dre’s…
24. Don't Let Me Leave Alone (Nicolay's Hardhouse Remix)-Windimoto
Shout out to Jamil for this one. Don’t know anything other than this is somehow rooted in Detroit. Track bangs for the dancefloor, but make sure you get the right version.
Aughts pt. 7-2006
Finally, a short one! I'm pretty certain my faves in '06 were pretty simple, just played a LOT.
1. Irreplaceable-Beyoncé
Schaffer "Ne-Yo" Smith dropped his "Superwoman" (ala man writing for a woman) with this. 3 million copies later, dudes couldn't even be mad if she sang it like this.
2. High & Dry-Bilal
From Exit Music, a tribute to Radiohead, Bilal blesses a great song with a great voice. The Bends' original version is no slouch. But come on....
3. Boogie Wonderland-Brittany Murphy
R.I.P., I couldn't stop listening to it and I never really got over how sexy her speaking/singing voice was. Then there's the fact that SHE told me the words to an EWF song!! I'm so embarrassed.
4. Touch It (Remix)-Busta Rhymes f/ Mary J Blige, Rah Digga, & Missy
If I thought Swizz was dead with the Ruff Ryders, this slapped me clean crossed the face. The original and remix were equally vicious. "Get low, Bus." "Turn it up!"
5. Before He Cheats-Carrie Underwood
Again, why must the best male bash tunes be written by dudes? Chris Thompkins/Josh Kear's classic tune took Carrie from country to pop and from Idol to bonafied star. Great friggin' song.
6. Ain't No Other Man-Christina Aguilera
The song that made sense of the DJ Premier/Christina match up. A double album wasn't necessary though.
7. More Of You-Fred Hammond
The most played gospel song of the decade for me. When you've had enough, there's indeed "more." The song seems to never stop climbing. Background vocals take it there.
8. Back For More-Glenn Lewis feat. Kardinal Offishall
Cut his hair and rocked a reggae tune abandoning his Stevie roots and for what? To have his album shelved! Some times I really hate major labels! This banged and would've done just fine if pushed.
9. Crazy/Feng Shui-Gnarls Barkley
A short sweet album led by one of the decades greatest songs. The play on irony and oxymorons throughout the album make you truly consider psychotropic meds by the end. Yet one more example of the genius Cee-Lo Green is.
10. Lost One-Jay-Z
Though the most significant verse is rumored to be 3-4 years old, it makes the song one of Jig's most quotables ever. Dr. Dre on the beat doesn't hurt (even if it's merely a loop).
11. Continuum (album)Vultures/Slow Dancing in a Burning Room/I Don't Trust Myself (With Loving You)/Heart of Life-John Mayer
I've written about this album more than i'm willing to admit.
12. Say, Say, Li'l Fine Ass Niggah (feat. Trauma Black, Bun B & Pastor Troy)/I'm So Famous-Joi
Crunk cats missed this. Joi's the baddest in the ATL and way too neglected of your attention. Itune her please:)
14. Let Me Talk to You Prelude / My Love-Justin Timberlake
Most played song of the year. Before I even saw the video, then double the spins. The keys, the beat, the intro, man....hold on, I'm finna play it right now.
15. If (ft. Asheru & Talib Kweli)-Kenn Starr
Hot slept on track I wouldn't have known had it not been for Ash's Insomnia mixtapes. Dig this up-3 hot verses, hot track.
16. Kick Push/I Gotcha-Lupe Fiasco
To make me memorize a tune about skateboarding is no easy feat. "K-Koomp, k-koomp, k-koomp, his neighbors couldn't stand it." Loved it. But when "I Gotcha" dropped, I nearly forgot the kickin' and pushin. Though Pharrell stole/flipped Ye's "Get By" beat, it was still killer. Lupe's soap verse got me too.
17. Who Killed It-NaS
One of NaS' most creative moments. Great storytelling and characters to boot.
18. Morris Brown-Outkast
I think their fans sold 'em out, I just can't figure out why. Idlewild wasn't bad. Definitely not subpar enough to take them from five million to one million and be outsold by Danity Kane. This one took you to the HBCU halftimes. Loved it.
19. Lost Without You-Robin Thicke
For a second there I was really scared Maxwell wouldn't survive this. This should've won Grammy for R&B male the following year, so injustices are dealt to both sides of the line apparently.
20. Why You Wanna-T.I.
"Gypsy Woman" and Q-Tip's one-liner flipped for a southern hip hop gem. "I just got just got one question to aks you. Is you happeh?"
1. Irreplaceable-Beyoncé
Schaffer "Ne-Yo" Smith dropped his "Superwoman" (ala man writing for a woman) with this. 3 million copies later, dudes couldn't even be mad if she sang it like this.
2. High & Dry-Bilal
From Exit Music, a tribute to Radiohead, Bilal blesses a great song with a great voice. The Bends' original version is no slouch. But come on....
3. Boogie Wonderland-Brittany Murphy
R.I.P., I couldn't stop listening to it and I never really got over how sexy her speaking/singing voice was. Then there's the fact that SHE told me the words to an EWF song!! I'm so embarrassed.
4. Touch It (Remix)-Busta Rhymes f/ Mary J Blige, Rah Digga, & Missy
If I thought Swizz was dead with the Ruff Ryders, this slapped me clean crossed the face. The original and remix were equally vicious. "Get low, Bus." "Turn it up!"
5. Before He Cheats-Carrie Underwood
Again, why must the best male bash tunes be written by dudes? Chris Thompkins/Josh Kear's classic tune took Carrie from country to pop and from Idol to bonafied star. Great friggin' song.
6. Ain't No Other Man-Christina Aguilera
The song that made sense of the DJ Premier/Christina match up. A double album wasn't necessary though.
7. More Of You-Fred Hammond
The most played gospel song of the decade for me. When you've had enough, there's indeed "more." The song seems to never stop climbing. Background vocals take it there.
8. Back For More-Glenn Lewis feat. Kardinal Offishall
Cut his hair and rocked a reggae tune abandoning his Stevie roots and for what? To have his album shelved! Some times I really hate major labels! This banged and would've done just fine if pushed.
9. Crazy/Feng Shui-Gnarls Barkley
A short sweet album led by one of the decades greatest songs. The play on irony and oxymorons throughout the album make you truly consider psychotropic meds by the end. Yet one more example of the genius Cee-Lo Green is.
10. Lost One-Jay-Z
Though the most significant verse is rumored to be 3-4 years old, it makes the song one of Jig's most quotables ever. Dr. Dre on the beat doesn't hurt (even if it's merely a loop).
11. Continuum (album)Vultures/Slow Dancing in a Burning Room/I Don't Trust Myself (With Loving You)/Heart of Life-John Mayer
I've written about this album more than i'm willing to admit.
12. Say, Say, Li'l Fine Ass Niggah (feat. Trauma Black, Bun B & Pastor Troy)/I'm So Famous-Joi
Crunk cats missed this. Joi's the baddest in the ATL and way too neglected of your attention. Itune her please:)
14. Let Me Talk to You Prelude / My Love-Justin Timberlake
Most played song of the year. Before I even saw the video, then double the spins. The keys, the beat, the intro, man....hold on, I'm finna play it right now.
15. If (ft. Asheru & Talib Kweli)-Kenn Starr
Hot slept on track I wouldn't have known had it not been for Ash's Insomnia mixtapes. Dig this up-3 hot verses, hot track.
16. Kick Push/I Gotcha-Lupe Fiasco
To make me memorize a tune about skateboarding is no easy feat. "K-Koomp, k-koomp, k-koomp, his neighbors couldn't stand it." Loved it. But when "I Gotcha" dropped, I nearly forgot the kickin' and pushin. Though Pharrell stole/flipped Ye's "Get By" beat, it was still killer. Lupe's soap verse got me too.
17. Who Killed It-NaS
One of NaS' most creative moments. Great storytelling and characters to boot.
18. Morris Brown-Outkast
I think their fans sold 'em out, I just can't figure out why. Idlewild wasn't bad. Definitely not subpar enough to take them from five million to one million and be outsold by Danity Kane. This one took you to the HBCU halftimes. Loved it.
19. Lost Without You-Robin Thicke
For a second there I was really scared Maxwell wouldn't survive this. This should've won Grammy for R&B male the following year, so injustices are dealt to both sides of the line apparently.
20. Why You Wanna-T.I.
"Gypsy Woman" and Q-Tip's one-liner flipped for a southern hip hop gem. "I just got just got one question to aks you. Is you happeh?"
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